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Third Time's a Charm

This is my third attempt with acrylics.
My first was in high school. I liked it at the time.
My second was the last painting for the mural. I figured since I was reacquainted, I'd have another stab at it.

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How Comfy Could they be?

So much for laurels.
Who needs them?
I've started my next painting.

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Onward and Upward

The deadline for participants in The Mosaic Masterpiece Mural came and went on Saturday. We took our piece to the Eastwood mall Saturday morning and placed it on the floor in the spot it was destined to go. Not everyone showed up with their pieces. Three out of the four surrounding mine showed up, and mine matched perfectly with those. I was glad of that because there were volunteers, "touching up" some of the paintings that they felt were incongruent in some manner.  That made me a little nervous, because there was fine detail on every inch of our piece, and I felt there was no room for alteration of any kind. When we were ready to go, I asked Sue if anyone felt ours needed altered in any way, because if it did, I wanted to do it. She said she didn't believe so, but she'd ask the other ladies. The concensus was that they thought it was perfect, and wouldn't dream of putting paint on it. I was happy to hear that.
All and all it was a fun project.
It was a little hurried for my liking.
It will be interesting to see where it goes from here.

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Rosetta Stone Cafe

After a lot of hours, our portion of the CAPF mosaic masterpiece mural is finished, with a whole day and a half before the deadline to spare! It's entitled, "Classic Youngstown". (not, "Rosetta Stone Cafe", I'll get to that) It features 6 day scenes, and 6 night scenes depicting some of the Classic architecture found around town. It is, "Panel #17" on  The Mona Lisa, if you were to split The Mona Lisa into 70 even panels. When put with the 69 other panels done by other area artists, It will make a 14'x20' Mona Lisa. The mural will be unveiled at The Eastwood Mall on October !5.

I spent a lot of time on a lot of small details, 8-12 hours a day, nearly everyday for the last month or so in particular, on top of my regular obligations. It will be nice to move on , and see about the rest of this summer.

So why "Rosetta Stone Cafe?"
Well, let me tell you.
After finishing the painting yesterday, Nikki and I were famished. After throwing myself into the fine details of downtown for so long, I thought it would be nice to celebrate down town. We had heard about the new, "Lemon Grove Cafe" and wanted to check it out. When got downtown, we talked about the big improvement there compared to 10 years ago, and that it's difficult for aging town centers to survive, when they aren't situated on major travel routes.
We went To Cedar's first for a drink and were surprised to find the doors locked. We walked up to Barley's passing the open door of the pizza place. You could see a single employee at the end of a big empty room. I think it's great to see these places open, yet I wonder how they do it. It's sort of surreal. Barley's looked the same, the bartender was alone. I ordered a Long Island Ice Tea. As often happens when you order that drink, and you're the only ones in the bar, It was virtually all booze. I drank some and asked for more coke in it. We saw that Barley's now serves Papa's Puerto Rican food. We enjoy the Papa's that's located near us on Mathew's road. I said to Nikki, that now we'd have to pick between 3 places to eat: here, The Lemon Grove, or Rosetta Stone Cafe. Nikki excluded, "here" because we've had Papa's, and had never been to the other 2.
We were both starving.
I hadn't eaten a bite all day, and now it was 7:00 p.m. I tried to get Nikki to help me finish my drink,  but she wouldn't, so I chugged the nearly straight alcohol, and we left. We flipped a coin, and it was Rosetta Stone Cafe. It looked like a nice place, rather dark. Nikki thought it smelled good, I was conflicted about the smell. We were seated, and looked at the menu. The prices were high. Now generally speaking, we won't go to a place if we know in advance that the price are that high, unless that place offers something exceptional.  We have been in this position before. When we try a new place, and see prices that high, we don't get up and leave, we don't even stick to the cheapest menu items. When in Rome, we try to be graceful. In such a setting, I also expect to see ultra-small portions, but my best hope is that the meal will be prepared well, and of really good quality, otherwise something's really wrong. So I ordered:

Shrimp Scampi Rosetta Stone Style                                                          18
jumbo prawns, proscuitto, bleu cheese, scampi butter, linguini

(the, "18" is 18 dollars)

I frequently use proscuitto finely minced in my Italian dishes, it adds a good flavor when cooked down in various sauces. I was looking forward to something really good. Nikki ordered:

Chicken Rosemary                                                                                      16
sautéed breast of chicken, white wine sauce, roma tomatoes, rosemary,
mozzarella  

It took quite some time to get our drinks, and refills on our drinks and our food. I've worked as both a waiter and a cook, and know how things go, so I usually overlook a few things, but at a point, begin mentally reducing the tip I would have left from 20%. Our salads came, very small, not surprising. They were a little wilty, but I was pleased about that, they didn't seem to have any, "fruit fresh" type preservative used at most restaurants.
When our meals came, they looked okay. There were only seven shrimp, and a noticeable lack of cheese. There was none on the dish, or on the table. A nice, strong Pecorino Romano would have gone well. I can understand not including it on a signature dish, but I think it should have been at least been on the table.   The dish wasn't put together well. It looked like Italian from Eat-n-Park. I couldn't detect any garlic. Scampi without garlic? It seemed like, shrimp, parlsey, butter, proscuitto, and pasta. Now what makes that all worse is that it was obvious that the pasta hadn't been drained well. So basic. Can you image how you would make such a lack-luster dish worse?-add water. Nikki's pasta came in a separate bowl, but when she added it to her chicken, her meal also became, "watered down".
We had to ask for all of our drink refills. Our waitress brought me a second cup of coffee after I asked, and it was cold. I was going to tell her when she came to see if our meals were o.k., but she never came back. I didn't hold the quality of our meals against her, just her poor service. I left her $5.00 on a $40.00 check.
In the car, I was again complaining about the lack of cheese, and how I was surprised that a signature dish had been so plain and poorly prepared. The Nikki mentioned the Bleu cheese, and how she expected it to be interesting on account of it. Bleu Cheese. There was no bleu cheese, I had forgotten the menu said it was part of the dish, and I got mad at myself. I would have loved to have pointed that out before I had eaten it.
Now comes the bad part of this story.
About 1:30 a.m. I began to get nauseous, and  sweaty. The whole meal came out, much the way it went in.
That was the only food I had all day.
Can I say without a doubt my dinner from Rosetta Stone Cafe made me sick?
No, although I can't remember the last time I puked, it's been years and years.
I felt immediately better after that food was out of me.
Can I say without a doubt that I had a sub par experience at Rosetta Stone Cafe?
Absolutely.

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Stambavgh Avditorivm

The final night scene is finished, which is also the final scene of the painting, and is also Stambaugh Auditorium.
Here's some facts from Wikipedia, and /www.stambaughauditorium.com

Stambaugh Auditorium is a public auditorium located in Youngstown, Ohio in the United States. It was listed on the National Register of Historic Places in 1984.

Stambaugh Auditorium opened in 1926, financed by Henry H. Stambaugh, one of the city's leading businessmen in the early 20th century. The centerpiece of the complex is the concert hall, which can hold a capacity crowd of 2,554. The auditorium also features a 9,700-square-foot (900 m2) ballroom, a smaller recital hall, and a garden at the southern end of the building, all of which can be rented out for private functions. Audiences and performers alike have praised the acoustics of the concert hall, which was designed for symphonic music performances. The auditorium was built in the Greco-Roman style.

Stambaugh's is located north of the Youngstown's downtown area. It faces once-fashionable Fifth Avenue, which was among the city's most exclusive residential districts in the 1920s. At the time of the auditorium's grand opening, residents of the neighborhood included chief donor Henry Stambaugh.


Architecturally, Stambaugh Auditorium is a free rendition of the classic as a exemplified in the Italian Renaissance. The structure was modeled after the public auditorium in Springfield, Massachusetts, which in turn was designed from the Pantheon in Paris. Helmle and Corbett Architects of New York City were the creators.

Originally intended to be erected either downtown or at the center of Wick Park, the 300 by 70 site at 1000 Fifth Avenue proved to be a wise choice, one which was enlarged to provide for parking areas when more land became available. Indiana limestone was used for the exterior walls. Inside areas feature top quality oak paneling, marble benches and again Indiana limestone.

I'll show you the whole painting next time.

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Positive Press

I got some recently.
Here's a link to a current article in The Town Crier.
Thanks to the fine folks involved!

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People On The Move?

People On The Move.
What can you say about that?
If we hadn't decided on,"Classic Youngstown", we would have called this piece, "People On The Move".
In this scene, we have some images overlapping.
Don't worry, it's part of the plan.
I couldn't resist including  this scene. It screams downtown Y-town at nite, all in one eyeful. It's based on a photo we didn't even have to get out of the car to take.
This was the second to the last scene to go onto this painting, just one more to complete. This is a good thing, because the deadline is this Saturday, plus I'm in dire need of returning to my regularly scheduled life. Something to look forward to.
I was a little worried for a while, but I think I'm going to make it

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Metropolitan Bank

There was no way we weren't including this view.

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Ohio One

Nikki Helped with this one.

Here's some facts about the building at 25 Boardman Street.


Building Features: 

  • 6-story office building built in 1930 originally for The Ohio Edison Company.

  • 54,000 total square feet with a typical floor containing 9,200 square feet.

  • 1 passenger and one passenger/freight elevator.

  • Loading dock.

  • 150 seat auditorium

  • Great Room, 80'x60' with 23 foot high ceiling and black walnut paneling.

  • 24/7 access

  • Onsite Maintenance and Management Staff


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East Federal Looking West

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